Long time, no blog updates – but – today is Black Friday, and even though I prefer Blue Monday, I took the plunge and purchased the Eventide H910 Harmonizer plugin. I downloaded the trial a couple of days ago, and found it really inspiring! You could do some really crazy stuff with it, and there’s always some use for it whether you put it on the LinnDrum, a Microwave or on the Prophet 5!
Another really fun thing is that after playing around, tweaking and getting to know it, I now can now identify it in plenty of songs. This thing has character, no doubt about it. I’d suggest downloading it and trying it out.
The Black Friday price is $99 (down from $249), but since I have an account on JRRShop, I got it for $84. I think this offer is available for the rest of November.
By the way, you need an iLok account, but you don’t need an iLok dongle. You can of course put the license on the dongle, if you prefer that.
The H910 is a nice addition to my “vintage” plugin arsenal. I’ll probably have to write a separate post on that!
Update 2015-10-23: The latest release of El Capitan 10.11.1 that was released yesterday fixes the auvaltool. It seems like a lot of other plugin manufacturers had the same problems as well.
Unfortunately one of my favourite plugins, RC-24 by Native Instruments, does not validate in the new auvaltool that comes with El Capitan. This does not only apply to the Reverb Classics bundle, but to many plugins in NI’s portfolio. The recommended “solution” from NI is a hack by a forum member which simply is finding an older version of auvaltool and replace the new one. I find it very strange that NI or anyone else didn’t notice this in the developer test releases of El Capitan.
RC-24 is a faithful recreation of the Lexicon 224 digital reverb, the only reverb I use.
I’m not a big fan of software synthesizers, at least not for my kind of music. For effects however, I’ll have to settle with the software counterparts – I simply don’t have the cash and space for an SSL desk and other vintage high end gear.
What I’m trying to do is to find the best software counterparts: channel strips, tape emulation, chorus, reverb, delay etc. UAD has all this, but their weak hardware and pricing would set me back a lot of money, which I’d rather spend on hardware synths and drum machines. For example, the cheapest UAD PCIe SOLO, which you can find for $200 used, only allows 17 SSL channel strips at 24/44.1 – I’m recording at 24/96.
I found that IK has a lot of vintage emulations, and the last days JRRshop had a 50% sale. So this is what I bought:
IK T-RackS British Studio Series
A bundle containing the British Channel (SSL 4000 channel strip), the White Channel (SSL 9000 channel strip) and the Bus Compressor (SSL 4000 bus compressor).
The BSS has had very good reviews and is one of the top rated ones along with UAD. Waves SSL has a similar bundle, but it’s now almost ten years old and a bit behind in the competition. Waves has had their bundle on sale for $249 lately. I got the BSS bundle on JRRPlugins for $71.82 – a steal (RRP $169)!
I honestly can’t compare the BSS it to the real hardware, since I’ve only spent a couple of minutes at a real SSL 4000 desk. But the plugins do their job, and the lack of a graphic eq feels liberating and forces you to use the ears (you can cheat by adding a standard Logic eq after to see it graphically). By the way, even though IK has updated the British Channel GUI, it’s still looks cartoonish and is the ugliest in the competition.
SSL 4000 channel strip. Compared to the original and other SSL 4000 plugins, the British Channel has a horizontal layout.
SSL 9000 channel strip. The White Channel has a horizontal layout, similar to the British Channel.
The SSL 4000 bus compressor.
IK T-RackS Tape Echo
Browsing the IK Custom Shop application I found the Tape Echo plugin that’s a highly praised emulation of the Echoplex EP3 tape delay. I got it for $31.78 RRP (€74.99). All IK products have a free 14 day trial, which is a bit dangerous…
Having no experience in real tape delay, it’s hard to judge whether it’s authentic or not, but it has gotten very nice reviews. Looking at this video for example, I immediately recognise its sound and behaviour.
The GUI is very true to the original, and the naming of the knobs can be a bit confusing. Volume is the wet/dry mix, and Sustain is the number of echoes. Differences to the original is that it’s stereo and has a BPM sync option. Clicking the Echoflex logo reveals additional controls for Rec Level, Tape Wear, Wow/Flutter & Noise.
The Tape Echo is very true to the original, but has some exceptions: 1) It’s stereo, 2) BPM sync. Clicking the Echoflex logo reveals additional controls for Rec Level, Tape Wear, Wow/Flutter & Noise.
